Links de interés:
- Sobre Tuning Scores.
- "Cuando la improvisación es en el instante". María Zenter.
- Allen´s Line - Julyen Hamilton Company: "Local Talk".
- "What Artist and Scientist have in common". Nota de Paige Brow.
- "Free Play, improvisación en la vida y el arte''. Stephen Nachmanavitch.
Ver sitio : www.freeplay.com
- "When improvising, each performer is working simultaneously on many different levels of perception ; listening, watching, sensing, acting, reacting to one's self and one's partners in a given space and time.The art of improvisation resides in each performers abilities to remain open to the wealth of internal and external impulses, and to receive, process, and propose material in an uninterupted flow of feedback. How to avoid overload, how to be actively attentive, how to do "nothing" and still act.These are some of the questions we will confront through a series of improvisational structures and games that deal with inner and outer concentration, simultaneous time, changing states, and the relationship of the watcher and the doer, both as performer and as spectator". Mark Thompkins.
- "El baile de la mente". Nota a Marie Bardet acerca de su publicación: "Pensar con mover".
Ver nota:
- "Artist Stament" - Daniel Lepkoff.
Ver video en:
- "Conferencia sobre nada" - John Cage.
Ver conferencia en:
experimenta.biz/revistaexperimenta/archives/6225
Bibliografía:
- Bardet, Marie. Pensar con mover. Un encuentro entre danza y filosofía, Cactus, Bs. As. 2012.
- Benoit, Agnés. Nouvelles de Danse. Creaturs de L Imprevu. (Recopilación de entrevistas de reconocidos imprvisadres) Ed. Contredanse. Bruselas, Bélgica. 1997.
- Bernard, Michel. De la création chorégraphique. Centre national de danse, 2001.
No hay comentarios:
Publicar un comentario